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  • ºñ¹ßµð: ¹ÙÀ̿ø° ÇùÁÖ°î <»ç°è>, ÇùÁÖ°î RV156, 169
  • »çÅä ¼ø½ºÄÉ(¹ÙÀ̿ø°), ÄÜü¸£Åä Ä븥
  • ÄÜü¸£Åä Ä븥ÀÌ µåµð¾î ºñ¹ßµðÀÇ <»ç°è>¸¦ ¹ßÇ¥Çß´Ù.
  • ¾Ó»óºí µðÅä È°µ¿À¸·Î ±¹³»¿¡µµ Àß ¾Ë·ÁÁ® ÀÖ´Â ÀþÀº ¹ÙÀ̿ø®´Ï½ºÆ® »çÅä ¼ø½ºÄÉ°¡ µ¶ÁÖÀÚ·Î µîÀåÇؼ­ ´õ¿í ¹Ý°¡¿îµ¥, ¿¬ÁÖÀÚµéÀº ¼ö¹é ÀåÀÌ ³Ñ´Â À½¹ÝÀÌ ÀÖ´Â ÀÌ ÀÛÇ°¿¡ ¿©ÀüÈ÷ »õ·Ó°í ½Å¼±ÇÑ ¸éÀÌ ³²¾ÆÀÖ´Ù´Â °ÍÀ» Áõ¸íÇß´Ù. ÄÜü¸£Åä Ä븥Àº ÀÌ ¾Ù¹üÀÇ ÄÁ¼ÁÀ» ¡®ÀÚÀ¯·Î¿ò¡¯À¸·Î Àâ¾ÒÀ¸¸ç, µµÃ³¿¡¼­ ½Ã´ë¾ç½ÄÀ» ¹þ¾î³ªÁö ¾ÊÀ¸¸é¼­µµ ÀÚÀ¯·Î¿î Àå½Ä°ú ÁïÈ↓ÁÖ°¡ ¹ø¶àÀδÙ. ´õºÒ¾î ¿¬ÁÖÀÇ ÁïÈïÀûÀÎ ÀÚÀ¯·Î¿òÀ» »ì¸®±â À§ÇØ ÀÏüÀÇ Àç³ìÀ½À̳ª ÆíÁýÀÌ ¾ø´Â ´Ü ÇÑ ¹øÀÇ ¡®¿øÅ×ÀÌÅ©(One-Take)¡¯ ³ìÀ½À» ½ÃµµÇß´Ù.
  • Gramophone Magazine March 2017
  • ¡°The soloist's line is where many of the more obvious daring freedoms are to found. Take Autumn's opening Allegro where, as the imagined wine takes effect, Sato's violin gradually slips, slides, scratches and misses more of its intonational targets, although all with such deft airiness that it tickles rather than jars¡¦this is a classy offering.¡±
  • [ ¼ö ·Ï °î ]

    1. The Four Seasons
    2. Concerto RV 156 in G minor
    3. Sinfonia in B minor, RV169 'Al Santo Sepolcro'