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  • [ ¼ö ·Ï °î ]

    John Potter voice
    Anna Maria Friman voice
    Ariel Abramovich alto, tenor and bass vihuelas
    Jacob Heringman tenor and bass vihuelas
    Lee Santana alto and tenor vihuelas

    anon
    Inviolata integra mater
    Obsecro te
    Benedicta es tu

    Despres
    Inviolata I
    Absalon Fili Mi
    Obsecro te
    Salve Regina
    Benedicta es
    La Deploration de Johannes Ockeghem / Hille Perl (viola da gamba)

    Heringman
    Prelude I
    Prelude II
    Prelude III
    Prelude IV
    Prelude V

    Mouton, J
    Nesciens Mater

    Victoria
    Missa Surge Propera
    O magnum mysterium, motet / Hille Perl (viola da gamba)

    The Guardian 24th August 2017 ****
    ¡°The secret of the title [is] that the choral works of four and five centuries ago were seen at the time not as fixed monuments but as music ripe for adaptation as intimate chamber pieces. Anna Maria Friman lends her pure soprano to some of Josquin¡¯s motets, reworked as vocal duets, and the linking passages of chant or of solo vihuela give this pared-back disc a flowing, almost improvisatory feel.¡±

    Presto Editor's Choice August 2017
    ¡°he singing has an airy clarity but never sounds overly manicured: the performances are shot through with the same spirit of spontaneity and exploration which made Potter's previous work on the Hilliard Ensemble's Officium such a resounding success.¡±