ÇÏÀ̵ç : Çö¾Ç»çÁßÁÖ op.77 No.1. Op.77 No.2 & Op.103(¹Ì¿Ï¼º) ; Haydn : String Quartets
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  • Ÿīġ Äõ¸£ÅÝÀÇ <ÇÏÀ̵ç ÃÖÈÄÀÇ Çö¾Ç»çÁßÁÖ>
  • ÇÏÀ̵ç: Çö¾Ç»çÁßÁÖ op.77 No.1. Op.77 No.2, Op.103(¹Ì¿Ï¼º)
  • Takacs Qartet
  • ÇÏÀ̵çÀÇ ¸¶Áö¸· Çö¾Ç»çÁßÁÖ 3°îÀ» ´ãÀº ¾Ù¹ü. ·ÎºêÄÚºñÃ÷ °øÀÛ¿¡°Ô ÇåÁ¤µÇ¾î ¡®·ÎºêÄÚºñÃ÷ »çÁßÁÖ¡¯·Î ºÒ¸®¿ì´Â op.77Àº, ÇÏÀÌµç ¸¸³âÀÇ ¿ø¼÷ÇÔ°ú ½Å¼±ÇÑ ¾Ç°îÀÌ Á¶È­¸¦ ÀÌ·ç°í ÀÖ´Â ÀÛÇ°ÀÌ´Ù. ±×¸®°í 1803³â¿¡ 2¾ÇÀ常 ¾²¿©Áö°í ¹Ì¿Ï¼ºÀ¸·Î ³²Àº op.103±îÁö Æ÷ÇÔÇÑ ÇÏÀ̵çÀÇ ¸¶Áö¸· Çö¾Ç »çÁßÁÖ ÀÛÇ°µéÀÌ´Ù.
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    1-1. String Quartet In G Major, Op. 77 No. 1
    1-2. String Quartet In F Major, Op. 77 No. 2
    1-3. String Quartet In D Minor, Op. 103



    Gramophone Magazine
    ¡°The Takacs Quartet come into their own in the lusty, swinging Menuettos, kicking all the time over into the spirit of scherzo. Gabor Takacs-Nagy's first violin, thrilling throughout in its diamantine intonation, leaps from open string to the heights for the Minuet of No. 1, and finds a nice balance of balm and fragmentation in the Op. 103 movements¡±