Fantasias nos. 4, 5, 9: Meissen porcelain flute, 1760 (Royal Collection Trust)
Fantasias nos. 6, 7, 8: Thomas Cahusac ivory flute, 1760 (The Royal College of Music)
Fantasies nos. 1, 2, 3, 10, 11, 12: Martin Wenner granadilla wood flute, 2004 (after Carlo Palanca, c.1750)

The Guardian 20th July 2017 ****
“Solomon’s opening note, played on a grenadilla wooden flute modelled on an instrument from 1750, is just astonishing. It’s so warm, grainy, broad and breathy that it sounds more like a low recorder than a modern flute...Solomon makes [the Fantasias] dance and sing, he makes them spacious. The articulation is immaculate, the rhythms are buoyant.”