½´¸¸ : ¼­ÁÖ¿Í ÇùÁÖÀû ¾Ë·¹±×·Î Op. 134, ¹ÙÀ̿ø°À» À§ÇÑ È¯»ó°î, 4´ëÀÇ È£¸¥À» À§ÇÑ ÇùÁÖÀû ¸ðÀ½°î ; Schumann : Complete Symphonic Works Vol. 5
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    1. Konzertstück for Piano & Orchestra in D Minor, Op. 134
    2. Fantasie in C Major for Violin & Orchestra, Op. 131
    3. Konzertstück for Piano & Orchestra in G Major, Op. 92
    4. Konzertstück for Horns & Orchestra, Op. 86 (4-6)


    ¼­ÁÖ¿Í ÇùÁÖÀû ¾Ë·¹±×·Î op.134, ¼­ÁÖ¿Í ¾Ë·¹±×·Î ¾ÆÆĽÿÀ³ªÅä op.92, ¹ÙÀ̿ø°À» À§ÇÑ È¯»ó°î, 4´ëÀÇ È¥À» À§ÇÑ ÇùÁÖÀû ¸ðÀ½°î


    * Patricia Kopatchinskaja(violin) Alexander Lonquich(piano) Paul van Zelm(horn)
     WDR Sinfonieorchester Koln, Heinz Holliger(cond)

    The Guardian, 17th March 2016 ****
    ¡°Holliger¡¯s performance?with a fabulously secure quartet of soloists?luxuriates in the sonorities it generates, while in the two works with piano, the soloist Alexander Lonquich finds moments of poetic beauty in the lyrical interludes. Only the violin Fantasy remains rather amorphous: it is short on memorable ideas, though Patricia Kopatchinskaja typically works hard to bring what there are to life, and Holliger aerates the orchestral textures wherever he can¡±

    BBC Music Magazine, July 2016 ****
    ¡°Holliger is particularly good at bringing out light and shade in Schumann¡¯s orchestration and highlighting inner details¡¦the Konzertstucke for four horns, magnificently executed by the orchestra¡¯s principals, benefits from Holliger¡¯s insights, the irresistible exuberance of the outer movements contrasting with the mellifluous expressiveness achieved in the central Romance¡±