ÇÏÀ̵ç : ÿ·Î ÇùÁÖ°î 1¹ø, 2¹ø / C.P.E. ¹ÙÈå : ÿ·Î ÇùÁÖ°î Wq. 172 (H439) ; Haydn : Cello Concertos Nos. 1 & 2
»óÇ°ºÐ·ù Ŭ·¡½Ä(Classics)
Á¦Á¶»ç ¾Æ¿ìµðÅ×(AUDITE)
Á¦Á¶±¹ Germany
°íÀ¯¹øÈ£ AUDITE97716
ÃÑÆòÁ¡ -  [°¨»ó±â ÀÛ¼º]
ÆǸŰ¡ 20,400¿ø
Àû¸³±Ý 204¿ø
Ä«µå°áÁ¦ [¹«ÀÌÀÚÇҺξȳ»] (À§Å¹/Áß°íÁ¦Ç°Àº Ä«µå°áÁ¦ ¹ÌÀû¿ë)
¹è¼Ûºñ 3,000¿ø (50,000¿ø ÀÌ»ó ±¸¸Å½Ã ¹«·á)
ÁÖ¹®¼ö·®
  • ÇÁ¶û½º ÿ¸®½ºÆ® ¸¶¸£Å© ÄÚÆäÀÌ´Â, 1988³â ¶óÀÌÇÁÄ¡È÷ ¹ÙÈå ÄáÄð¿¡¼­ 18¼¼ÀÇ ³ªÀÌ¿¡ ¿ì½ÂÀ» Â÷ÁöÇÑ, Á¤»ó±Þ ÿ¸®½ºÆ®ÀÌ´Ù. µ¶ÁÖÀڷμ­, ¶Ç ÀÌÀÚÀÌ Äõ¸£ÅÝ ¸â¹ö·Î(1995-2000³â) È°µ¿ÇÏ¿´°í, ÇöÀç´Â ÀÚ±×·¹ºê ¼Ö·ÎÀ̽ºÃ÷ÀÇ ¿¹¼ú °¨µ¶À» ¸Ã°í ÀÖ´Ù.
  • ÿ·Î À½¾ÇÀÇ ÀÌÁ¤Ç¥¿Í °°Àº ÇÏÀ̵ç ÿ·Î ÇùÁÖ°î°ú C.P.E.¹ÙÈåÀÇ ÇùÁÖ°îÀ» ¿¬ÁÖÇÑ´Ù. ÿ·Î ¿¬ÁÖ¿Í ÁöÈÖ¸¦ º´ÇàÇÏ´Â ÄÚÆäÀÌÀÇ ¸ð½ÀÀº ¸¶Ä¡ ÀÌ ¾Ç´ÜÀÇ Ã¢¸³ÀÚ, ¾ß´Ï±×·Î¸¦ ¿¬»ó½ÃŲ´Ù.
  • È­·ÁÇÑ ´ë±Ô¸ð ¿ÀÄɽºÆ®¶ó »ç¿îµå¿Í´Â Â÷º°È­µÇ´Â ½Ç³»¾Ó»óºí·Î, µ¶ÁÖÀÚÀÇ ºñ¸£Åõ¿À½ÃƼ°¡ ¹è·ÁµÇ°í ¿¬ÁÖÀÚ°£ÀÇ ±³°¨ÀÌ »ì¾ÆÀÖ´Â, Ä£¹ÐÇÏ°í µû¶æÇÑ ºÐÀ§±âÀÇ À½¾ÇÀû Æijë¶ó¸¶°¡ ÆîÃÄÁø´Ù.
  • [ ¼ö ·Ï °î ]

    1. Haydn : Cello Concerto No. 1 in C Major, Hob. VIIb:1 (1-3)
    2. Cello Concerto No. 2 in D Major, Hob. VIIb:2 (4-6)
    3. C.P.E. Bach : Cello Concerto in A Major, Wq. 172 (7-9)



    ÿ·Î ÇùÁÖ°î 1¹ø, 2¹ø/ C.P.E.¹ÙÈå: ÿ·Î ÇùÁÖ°î

    * Marc Coppey(cello, cond) Zagreb Soloists



    Gramophone Magazine, March 2016
    ¡°[the Haydn pair] are elegant, winsomely tender performances, Coppey's beautifully spun long lines accentuated further by his comparatively legato delivery and singing tone, The virtuosity never feels forced, either¡¦[Coppey is] matched by a crisp, glowing, joyful perfomance from the orchestra¡±