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  • º»·¡ µÎ »ç¶÷ ¸ðµÎ ¸®½ºÆ® À½¾ÇÀ» ÁÁ¾ÆÇß°í óÀ½ ¸¸³­ ÄáÄð¿¡¼­µµ µÎ »ç¶÷ ¸ðµÎ ¸®½ºÆ®¸¦ ¿¬ÁÖÇßÀ» Á¤µµ¿´±â¿¡ À̹ø À½¹ÝÀº ´õ¿í °¢º°ÇÑ Àǹ̸¦ Áö´Ñ´Ù. ¸®½ºÆ®°¡ µÎ ´ëÀÇ ÇǾƳ븦 À§ÇØ ¾´ ÀÛÇ°µéÀº ÇǾƳëÀÇ ¸íÀα⵵ ´ã°ÜÀÖÁö¸¸ ±×º¸´Ù Àΰ£ÀÇ ±íÀº °¨Á¤À» Ž±¸ÇÏ°í ÀÖ´Ù´Â Á¡¿¡¼­ ÀÛ°î°¡ÀÇ ¶Ç ´Ù¸¥ ¸é¸ð¸¦ µå·¯³½´Ù.
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  • [ ¼ö·Ï°î ]

    1. Grand Concert Piece (after Mendelssohn's 'Songs Without Words), for two pianos, S257
    2. Reminiscences de Norma for two pianos, S655
    3. Concerto pathetique in E minor for two pianos, S258
    4. Reminiscences de Don Juan (W.A. Mozart) for two pianos, S. 656
    5. Hexameron, S392



    *¸®½ºÆ®: µÎ ´ëÀÇ ÇǾƳ븦 À§ÇÑ ÀÛÇ°µé
     ÇÇ¾Æ³ë µà¿À Á¦³ë¹Ù & µð¹ÌÆ®·ÎÇÁ


    Gramophone Magazine July 2015
    ¡°The duo's programme makes us, not for the first time, gawp in wonderment at Liszt's industry.¡±

    Sunday Times 5th April 2015
    ¡°exhilaratingly played...The beautiful Concerto pathetique adapts a solo that was considered unplayably difficult, but sounds a breeze here.¡±