SUSAN GRITTON / BOCCHERINI & EMANUELE D`ASTORGA-Stabat Mater (SACD)
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  • 'Outstanding performances' (American Record Guide)
  • 'Remarkable and beautiful settings' (Gramophone)
  • 'Boccherini's chamber-music output is so prolific - more than 120 string quintets, 100 quartets and almost 50 trios - that few today can know his entire oeuvre. But this setting of the Stabat Mater - in F minor like the famous one by Pergolesi, its evident model - is a little masterpiece: spartanly scored for two sopranos and tenor and accompaniment of four strings and continuo, this "sequence for the Feast of Seven Dolours of the BVM" shares the intimate quality of Boccherini's chamber music, with only rare opportunities for operatic display. The earlier setting by the Spaniard Emanuele D'Astorga, a near contemporary of Handel's, is more overtly flamboyant, yet, with its chorus and mezzo and bass soloists - darker in colour. The King's performances are outstanding, with superb solo contributions from Susan Gritton, Sarah Fox, Susan Bickley and Paul Agnew. Two marvellous discoveries.' (The Sunday Times)
  • [ ¼ö·Ï°î ]
    luigi boccherini-stabat mater (1800 version), op 61 [45'37]
    1. stabat mater dolorosa [6'16]
    2. cuius animan gementem [2'44]
    3. quae moerebat et dolebat [3'11]
    4. quis est homo, qui non fleret [1'32]
    5. pro peccatis suae gentis [4'15]
    6. eia mater, fons amoris [6'44]
    7. tui nati vulnerari [4'26]
    8. virgo virginum praeclara [5'06]
    9. fac ut portem christi mortem [2'32]
    10. fac me plagis vulnerari [2'15]
    11. quando corpus morietur [6'29]

    emanuele d'astorga-stabat mater [27'30]
    12. stabat mater dolorosa [3'38]
    13. o quam tristis et afflicta [3'29]
    14. quis est homo, qui non fleret [4'01]
    15. eia mater, fons amoris [3'12]
    16. sancta mater, istud agas [2'52]
    17. fac me tecum pie flere [2'47]
    18. virgo virginum praeclara [1'26]
    19. fac me plagis vulnerari [1'55]
    20. christe quam sit hinc exire [4'04]