¹«ÆÄÆ® : ¹Ì»ç 'ÀÏÇÏ¸ç ½¬¸®¶ó' / º£¸£Å»¸®, ½´¸áó, ºñ¹öÀÇ ±â¾Ç°îÁý ; Georg Muffat: Misse in labore regules
»óÇ°ºÐ·ù Ŭ·¡½Ä(Classics)
Á¦Á¶»ç ¾Æ¿ìµðÅ×(AUDITE)
Á¦Á¶±¹ EU
°íÀ¯¹øÈ£ AUDITE97539
ÃÑÆòÁ¡ -  [°¨»ó±â ÀÛ¼º]
ÆǸŰ¡ 20,400¿ø
Àû¸³±Ý 204¿ø
Ä«µå°áÁ¦ [¹«ÀÌÀÚÇҺξȳ»] (À§Å¹/Áß°íÁ¦Ç°Àº Ä«µå°áÁ¦ ¹ÌÀû¿ë)
¹è¼Ûºñ 3,000¿ø (50,000¿ø ÀÌ»ó ±¸¸Å½Ã ¹«·á)
ÁÖ¹®¼ö·®
  • ÀßÃ÷ºÎ¸£Å©¿Í ÆÄ»ç¿ì¿¡¼­ È°µ¿Çß´ø ¹«ÆÄÆ®´Â ÀÌÅ»¸®¾Æ¿Í ÇÁ¶û½º À½¾ÇÀÇ ¾ç½ÄÀ» ÇÑ µ¥ ¾Æ¿ì¸¥ ¡®Á¾ÇÕ ¾ç½Ä¡¯ÀÇ ÁÖâÀÚ·Î, À½¾ÇÀÇ º¯¹æÀ̾ú´ø µ¶ÀÏÀÌ ¹Ù·ÎÅ©ÀÇ ¼±µÎÁÖÀÚ·Î ¶°¿À¸£´Â µ¥ Å« °øÇåÀ» Çß´Ù.
  • ¹«ÆÄÆ®ÀÇ ´ëÇ¥ÀÛÀÎ ¡®ÀÏÇÏ¸ç ½¬¸®¶ó¡¯ ¹Ì»ç°îÀº 24¼ººÎÀÇ ±â¾Ç-¼º¾Ç ¾Ó»óºíÀÌ ´Ù¼¸ °³·Î ³ª´µ¾î ¿¬ÁÖÇÏ´Â È­·ÁÇÑ ÀÛÇ°À¸·Î, »öä°¨ÀÌ Ç³ºÎÇÑ ±â¾Ç ¾Ó»óºí°ú ¼º¾ÇÀÌ º£³×Ä¡¾Æ ¾ÇÆĸ¦ ¿¬»óÄÉ ÇÏ´Â Àå¾öÇÑ À½ÇâÀ» ¸¸µé¾î³½´Ù.
  • ¿äÇϳ׽º ½´Æ®·ÎºíÀÌ À̲ô´Â ¿¬ÁÖÀÚµéÀº ÀÛ°î°¡ÀÇ Àǵµ´ë·Î ´Ù¼¸ ±ºµ¥¿¡ ¹èÄ¡µÇ¾î Á¤±³ÇÏ°í ¾ç½Ä¹Ì°¡ µ¸º¸ÀÌ´Â ¿¬ÁÖ¸¦ µé·ÁÁØ´Ù.
  • [ ¼ö ·Ï °î ]

    ¹«ÆÄÆ®: ¡®ÀÏÇÏ¸ç ½¬¸®¶ó¡¯¹Ì»ç/ º£¸£Å»¸®: ¼Ò³ªÅ¸ a 13
    ºñ¹ö: ¼Ò³ªÅ¸ VI a5/ ½´¸áó: ¼Ò³ªÅ¸ XII a 7/ ºñ¹ö: ¼Ò³ªÅ¸ VIII a 5/ º£¸£Å»¸®: ¼Ò³ªÅ¸ »óƼ ÇÁ¶ó½Ãµð a 14
    * Cappella Murensis, Les Cornets Noirs, Johannes Stroble(cond)

    Gramophone Magazine September 2016
    ¡°This is not the first recording [of the Missa in labore requies] but it is surely the most effective, as much as anything for its skilful use of the building; voices and instruments really do seem to come at you in waves from all directions¡¦but regulated with such care that, rather than seeming like a dinning battle of the choirs, it is all satisfyingly of a piece. In short, this is a smoothly impressive performance of a beautifully crafted work¡±


    1-1. Georg Muffat: Missa in labore requies
    1-2. Antonio Bertali: Sonata a 13
    1-3. Heinrich Ignaz Franz von Biber: Sonata No. 6 a 5 in F Major
    1-4. Johann Heinrich Schmelzer: Sonata XII a 7
    1-5. Heinrich Ignaz Franz von Biber: Sonata No. 8 a 5 in G Major
    1-6. Antonio Bertali: Sonata a 14, "Sancto Placidi"