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    1. Tchaikovsky : Piano Concerto No. 1 in B flat minor, Op. 23 (1-3)
    2. Prokofiev : Piano Concerto No. 2 in G minor, Op. 16 (4-7)

    Kirill Gerstein, piano
    Deutsches Symphonie-Orchester Berlin
    James Gaffigan


    Â÷ÀÌÄÚÇÁ½ºÅ°: ÇǾƳë ÇùÁÖ°î 1¹ø, ÇÁ·ÎÄÚÇÇ¿¡ÇÁ: ÇǾƳë ÇùÁÖ°î 2¹ø
    Å°¸± °Ô¸£½´Å¸ÀÎ(ÇǾƳë), Á¦ÀÓ½º °¡ÇÇ°Ç(ÁöÈÖ), º£¸¦¸° µµÀÌÄ¡ ½ÉÆ÷´Ï ¿ÀÄɽºÆ®¶ó


    The Arts Desk, 14th February 2015
    ¡°This [Tchaikovsky] concerto can be a bit of a slog, but never so here¡¦James Gaffigan gets superb support from the Deutsches Symphonie-Orchester Berlin, and keeps things moving in the closing minutes¡¦Gerstein's fearless stamina gets him through the [Prokofiev's] vast cadenza with unerring ease, and he's alert to the music's pain and dislocation...All superbly recorded and well annotated.¡±

    The Observer, 15th March 2015
    ¡°Zimmermann and Hoppe capture the poetry of these works, in their hands free from sentiment and rich as short stories.¡±

    BBC Music Magazine, March 2015 *****
    ¡°Perhaps the most striking aspect of Gerstein's interpretation is his ability to make the piano writing sound much lighter and more transparent than usual...Instead of the conventional barnstorming bravura, Gerstein brings poetry, balletic grace and an infinitely wide range of timbres. Yet in no sense does the performance seem understated.¡±

    The Times, 27th February 2015 ****
    ¡°The textures [in the Tchaikovsky] are lighter and sprinkled with arpeggios...Pomp has gone; the mood is poetic, as though we had dipped into Schumann¡¯s piano concerto by mistake...Pianist and orchestra pounce on the [Prokofiev's] pungent rhythms like hungry lions and stir burning energy and rage. This is Gerstein¡¯s first concerto album and it¡¯s definitely one you notice.¡±

    Financial Times, 14th March 2015
    ¡°Gerstein offers a less showy version of Tchaikovsky¡¯s first concerto, but gives Prokofiev¡¯s second more dynamism.¡±

    The Observer, 15th March 2015 ****
    ¡°Even if you do not immediately spot the difference...this is a performance of such refinement, strength and commitment that you stop worrying...This is the kind of serious, intelligent and virtuosic music-making that keeps classical music alive.¡±

    Classical Music, May 2015
    ¡°a performance of stunning power and control.¡±

    Presto Classical, David Smith, 2nd March 2015
    ¡°In his hands (and with sensitive accompaniment from the Deutsches Symphonie-Orchester Berlin under James Gaffigan), the overall feel of the work is changed from a heroic, red-blooded Romanticism, seeming to prefigure turbulent Rachmaninov, to a more introspective vision.¡±