¸ðÂ÷¸£Æ®: ¼¼·¹³ªµ¥ <ÇÏÇÁ³Ê> ; Mozart: Serenade in D, K250 - Haffner (SACD)
»óÇ°ºÐ·ù Ŭ·¡½Ä(Classics)
Á¦Á¶»ç PentaTone classics
Á¦Á¶±¹ ³×´ú¶õµå
°íÀ¯¹øÈ£ PTC5186097
ÃÑÆòÁ¡ -  [°¨»ó±â ÀÛ¼º]
ÆǸŰ¡ 25,900¿ø
Àû¸³±Ý 259¿ø
Ä«µå°áÁ¦ [¹«ÀÌÀÚÇҺξȳ»] (À§Å¹/Áß°íÁ¦Ç°Àº Ä«µå°áÁ¦ ¹ÌÀû¿ë)
¹è¼Ûºñ 3,000¿ø (50,000¿ø ÀÌ»ó ±¸¸Å½Ã ¹«·á)
ÁÖ¹®¼ö·®
  • ÇÏÀ̵ç <±º´ë ±³Çâ°î>À» ÅëÇؼ­ »ý¸í·Â ³ÑÄ¡´Â °íÀü À½¾ÇÀÇ Ç⿬À» µé·ÁÁÖ¾ú´ø °í¸£´Ü ´ÏÄݸ®Ä¡°¡ ¸ðÂ÷¸£Æ® <ÇÏÇÁ³Ê ¼¼·¹³ªµ¥>¸¦ ÅëÇØ ÈñÀ¯°îÀÇ À§´ëÇÑ ½Â¸®¸¦ º¸¿©ÁÖ°í ÀÖ´Ù.
  • ±ÍÁ·ÀÇ ½ÄŹÀ» À§ÇÑ À½¾ÇÀ¸·Î ¿ì¾ÆÇÏ°í ¸Å·ÂÀûÀÎ ÅæÀÇ Çؼ®¿¡¼­ ´õ ³ª¾Æ°¡ ´õ¿í Á¤±³ÇÑ ±¸Á¶¹Ì¿Í °­·ÄÇÑ ¾Ç¼¾Æ®, ±×¸®°í ¿ì¾ÆÇÑ ¼±À²¹Ì¸¦ ±Ø´ëÈ­ÇÑ ¿Ïº®ÇÑ Çؼ®À» µé·ÁÁØ´Ù.
  • ¹ÙÀ̿ø° µ¶ÁÖ¿¡¼­ µé·ÁÁÖ´Â ±×ÀÇ ´ÞÄÞÇÑ Åæ°ú ½º½ÂÀÇ Ä«µ§Â÷¸¦ »ç¿ëÇÏ¿© Á¤Å뼺À» °è½ÂÇÑ ¸ð½À µîÀº ÀÚ½ÅÀÇ ÀåÁ¡À» ¿Ïº®ÇÏ°Ô µå·¯³½ °ÍÀÌ´Ù.
  • [ ¼ö ·Ï °î ]

    Wolfgang Amadeus Mozart (1756-1791)

    March in D, K.249
    1 Maestoso 3. 56

    Serenade in D, K.250 ¡°Haffner¡±
    2 Allegro maestoso – Allegro molto 7. 52
    3 Andante 8. 57
    4 Menuetto 3. 38 
    5 Rondo – Allegro 7. 49
    6 Menuetto galante 5. 32
    7 Andante 7. 05
    8 Menuetto 4. 43 
    9 Adagio – Allegro assai 7. 50


    Netherlands Chamber Orchestra
    Gordan Nikolic
    , leader


     

    ¡°Nikoli? shows that he is as superlative a violin soloist as he is a conductor, as unerring in his understanding of lyrical eloquence as he is of dramatic timing. He never pits a foot wrong. Nether does PentaTone¡¯s production, which keeps the perspectives steady (for example, the violin is properly balanced with the ensemble and not pulled forward for the cadenzas). The range, transparency and tonal veracity of the recording offer a total vindication of SACD. This is a tremendous disc¡±.
    Nalen Anthoni, Gramophone


    ¡°The performance is bright, spritely, propulsive and highly recommended. The audio quality is truly excellent and appropriate to the demands of this type of music¡±.
    Karl Lozier, positive-feedback.com


    ¡°Leading the Netherlands Chamber Orchestra, the violinist Gordan Nikolic once again demonstrates communicative vitality. Everything here breathes as it should, based on an exaltation of energy contained by the most sublime musical discourse. Nikolic soars over these scores with wings of force and poetry. Mozart at his best in a great musical moment¡±.
    Jean Jacques Milo, Opushd.net