예일 출신 첼로 합주단의 독특한 기획의 음반.

이 합주단을 이끄는 패리소트는 빌라-로보스와 직접적인 친분이 있던 첼리스트로, 그의 지휘 아래 첼로와 오케스트라를 위한 빌라-로보스의 작품과 바흐 음악 편곡을 연주한다.

특히 브라질풍의 바흐 제5번 에서는 부드럽고 맑은 오제의 솔로가 빛을 발하고, 바흐의 편곡도 저음의 독측한 매력을 느끼게 한다..

san francisco chronicle:
parisot, the brilliant brazilian cellist, knew villa-lobos, and premiered several of his works. (villa-lobos' second cello concerto is dedicated to parisot.) parisot has the advantage of a mass of cellos - 20 or so - all from the yale music department, and hence, his students. (the jacket lists 34 names.) and what a sound they make - organ-like in resonance and sensational in intonation. add to this the fact that he has the dulcet voice of soprano auger for the famous fifth bachianas, plus delos' brilliantly lively sonics, and you have a very major release. highly recommended.

opus:
this is a most unusual and enjoyable release. first of all, at long last, recordings of villa-lobos' bachiana brasileiras nos. 1 and 5 that really do justice to these irresistible scores.
here the works are played by the sort of ensemble villa-lobos had in mind: not the usual eight cellos, but an "orchestra of violoncellos" - the yale cellos, twenty in member, conducted by their mentor aldo parisot. the gain in tonal richness is immeasurable. and what tremendous vigor and elan they display! i don't mean to imply any degree of roughness or vehemence, however, for this is some of the suavest playing imaginable by such an ensemble. rather, the rhythms, inflections, and articulations are executed in such an inimitably idiomatic manner as to simply sweep the listener along. in the haunting aria ("cantilena") of no. 5, arleen auger enters as if another instrument, a soprano cello perhaps. as much as i enjoyed hendricks' performance, auger gives the most exquisite rendition i've heard since bidu sayao (who recorded only this movement). the aria's central section is treated more expansively than usual, but with a wonderfully apt sensitivity. auger and the cellists deliver the concluding dansa ("martelo") brilliantly, not so fast as to turn it into a meaningless display piece, but at a tempo that allows the infectious dance rhythms to tell.

wg, high performance review:
this recording is an interesting novelty: an orchestra made up entirely of violoncelli! the villa-lobos works are placed first and last, in between are arrangements of various compositions by j.s. bach, including the much arranged "chaconne in d-minor" for solo violin. aldo parisot and his student cellists give wonderfully rich, vital and colorful performances. in the famous "bachiana brasileiras no. 5," we're fortunate to have arleen auger. everything this splendid american soprano does is touched with her intelligence and the beauty of her voice. the bach pieces are all well-played, and the sound of massed 'celli, at least under parisot's direction, is not at all as dark, opaque or lush as one might expect. there's light, almost transparent, yet rich, sound, and throughout the compact disc, it is music that's given to us, not a slick demonstration of novel sound.

작곡 : heitor villa-lobos
bachinas brasileiras no. 1 for orchestra of violincellos(1930)
1. introduction(embolada) 6:30
2. preludio(modinha) david shamban, claudio jaffe, soloist 8:39
3. fugue(conversa) 4:02

작곡 : johann sebastian bach
4. air on the g string 4:53
5. chaconne in d minor 14:15
6. prelude np. 22 in b-flat minor 4:10
7. prelude and fugue no. 8 in e-flat minor 9:58
8. sarabande 5:57

작곡 : heitor villa-lobos
bachinas brasileiras no. 5 for soprano and orchestra of violincellos(1938-1945)
9. aria 7:52
10. dansa 5:10

the yale cellos
aldo parisot, conductor
arleen auger, soprano