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  • [ ¼ö·Ï°î ]

    1. Vespasiano: Sorga pur l'oppressa roma
    2. I gloriosi presagi di Scipione Africano: Bella mia, lascia ch'io vada
    3. Caio Marzio Coriolano: Perdonate, o cari amori
    4. Vespasiano: Premera soglio di morte
    5. Caio Marzio Coriolano: Overture
    6. Caio Marzio Coriolano: Presto
    7. Aquilio consolo: Rinasce amor
    8. Caio Marzio Coriolano: Act III: Spirate, o iniqui marmi
    9. Act III: Voi d'un figlio tanto misero
    10. Dario: Voi del ciel pietosi numi
    11. Tito Manlio: Venga pur quel si terribile
    12. Le profezie d'Eliseo nell'assedio di Samaria: Sinfonia
    13. Tito Manlio: Col nemico di mia pace
    14. La madre dei Maccabei: Benche l¡¯ultimo al tormento
    15. Tito Manlio: Aure care
    16. La madre dei Maccabei: Quando il mondo fabbrico
    17. Caio Marzio Coriolano: Io spero che in quei guardi


    * Çʸ®Æ÷ ¹Ì³×Ä¡¾Æ(Ä«¿îÅÍÅ׳Ê), ¾Èµå·¹¾Æ ÇÁ¸®±â(ÁöÈÖ), ¾Ó»óºí ¿Àµð¼¼


    Early Music Review, 14th January 2016
    ¡°Mineccia sings with much richness of tone and enviable accuracy in his runs; perhaps a little more light and shade could have been brought to the interpretations, but the music comes across strongly enough. Ensemble Odyssee give stylish and extremely lively orchestral support.¡±

    Gramophone Magazine, February 2016
    ¡°Mineccia¡¯s falsetto occasionally hoots when pressed under increased velocity, and his low notes are not always smoothly incorporated into florid phrases, but he more than makes up for minor blemishes by never producing anything less than total theatrical conviction ? and his soft singing in Servilia¡¯s lovely pastoral ¡®Aure care¡¯ (from Tito Manlio) suggests that he is rapidly maturing into an expressive and versatile artist¡±

    Sunday Times, 24/01/2016
    ¡°Here¡¯s a new star in the making¡¦this new album of arias, mostly written in London by Handel¡¯s Royal Academy colleague Ariosti, reveals a voice of sensual beauty, especially in [the] languorous arias¡¦[Mineccia's] virtuosity in the bravura numbers is breathtaking¡±