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  • [Track List]

    1. CCS SA 19503
    Rachel Podger, baroque violin & Arte Dei Suonatori
    A. Vivaldi - La Stravaganza
    Concerto in G major, opus 4 no. 3 •Allegro

    2. CCS SA 18902
    The Gents - The Gentlemen of the Chapel Royal
    R. Parsons •Ave Maria

    3. CCS SA 18602
    Pieter Wispelwey, violoncello & Paolo Giacometti, piano
    C. Franck - Sonata in A major •Recitativo-Fantasia

    4. CCS SA 19002
    Trevor Pinnock, harpsichord & Rachel Podger, baroque violin
    & Jonathan Manson, viola da gamba
    J. Ph. Rameau - Pièces de Clavecin en Concerts
    Premier Concert •La Livri

    5. CCS SA 17002
    Johannette Zomer, soprano & Cappella Figuralis
    Love & Lament
    C. Monteverdi •Lamento della Ninfa

    6. CCS SA 17802
    Paolo Giacometti, piano & The Arnhem Philharmonic
    R. Schumann - Pianoconcerto in a, opus 54
    •Intermezzo: andantino grazioso

    7. CCS SA 19102
    Florilegium - G. Ph. Telemann - Tafelmusik
    Ouverture - Suite in E minor •Lentement-Vite-Lentement

    8. CCS SA 16501
    Pieter Wispelwey, violoncello &
    Die Deutsche Kammerphilharmonie Bremen
    C. Saint-Saëns - Cello Concerto no.1 in A minor, opus 33
    •Allegro non troppo

    9. CCS SA17602
    The Locke Consort - J. Jenkins - Fantasias & Airs
    •No. 2 in a minor

    10. CCS SA 17202
    Alfredo Marcucci, bandoneón & Ensemble Piacevole
    Touched by Tango
    Astor Piazzolla: •Anxiety

    11/12 CCS SA 18102
    The Netherlands Bach Society
    W.A. Mozart – Requiem in D minor KV 626
    •III Sequenz - no. 3 Rex tremendae &
    •VIII Communio - Lux eterna

    13. CCS SA 17102
    Pieter Wispelwey, violoncello
    B. Britten – Three suites for violoncello solo
    Suite no. 3, opus 87
    •Barcarola & Dialogo

    14. CCS SA 17502
    Dejan Lazic, piano
    M. Ravel - Retrospection
    Le Tombeau de Couperin •Toccata - Vif

    15. CCS SA 18302
    Mieneke van der Velden, pardessus de viole &
    Glen Wilson, harpsichord
    F. Couperin - Pièces de viole - Concerts 3 & 11
    Onzième Concert - Les Gouts-Réunies •Seconde Allemande

    16. CCS SA 17002
    Johannette Zomer, soprano & Cappella Figuralis
    Love & Lament
    G. Carissimi •Historia di Jephte

    17. CCS SA 19503
    Rachel Podger, baroque violin & Arte Dei Suonatori
    A. Vivaldi - La Stravaganza
    Concerto in D major, opus 4 no. 11
    •Allegro

    This is the first SACD compilation disc of the 14 releases from Channel Classics. There is a normal CD layer on this CD for those who do not have a SACD player (or for listening with a walkman and in the car). How does one describe the difference in sound quality between normal CD and SACD? It is not just a difference between sampling the sound from 44 thousand times a second to 2.8 million. To me, listening in SACD stereo immediately gives that feeling of openness. Depth of sound. The total clarity of the instruments. And of course the large dynamic range. The music is not a block of sound from the speakers but it seems to be there without being able to touch it. For those of you that have multichannel, the sensation of sitting in the concert hall can now be experienced. There are no rules for creating multichannel recordings but my goal has been to reproduce the acoustic characteristics of the performance space. To create the feeling of sitting in the fourth row. One is not conscious of the surround speakers (only by switching them off would you immediately hear the effect). SACD multichannel creates more emotion in the music – no matter where you sit because it is not necessary to sit in the ¡®hot spot¡¯ (middle of the triangle from your speakers) to experience this ¡®emotion¡¯.